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Considered to be one of Agatha Christie's greatest, and also most controversial mysteries, 'The Murder Of Roger Ackroyd' breaks the rules of traditional mystery. The peaceful English village of King’s Abbot is stunned. The widow Ferrars dies from an overdose of Veronal. Not twenty-four hours later, Roger Ackroyd—the man she had planned to marry—is murdered. It is a baffling case involving blackmail and death that taxes Hercule Poirot’s “little grey cells” before he reaches one of the most startling conclusions of his career. Librarian's note: the first fifteen novels in the Hercule Poirot series are 1) The Mysterious Affair at Styles, 1920; 2) The Murder on the Links, 1923; 3) The Murder of Roger Ackroyd, 1926; 4) The Big Four, 1927; 5) The Mystery of the Blue Train, 1928; 6) Peril at End House, 1932; 7) Lord Edgware Dies, 1933; 8) Murder on the Orient Express, 1934; 9) Three Act Tragedy, 1935; 10) Death in the Clouds, 1935; 11) The A.B.C. Murders, 1936; 12) Murder in Mesopotamia, 1936; 13) Cards on the Table, 1936; 14) Dumb Witness, 1937; and 15) Death on the Nile, 1937. These are just the novels; Poirot also appears in this period in a play, Black Coffee, 1930, and two collections of short stories, Poirot Investigates, 1924, and Murder in the Mews, 1937. Each novel, play and short story has its own entry on Goodreads.
Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead. The dead men were criminals, victims of what seems to have been a gangland hit. But what appears to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea, to Riga in Latvia, where he is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies. Doomed always to be one step behind the shadowy figures he pursues, only Wallander's obstinate desire to see that justice is done brings the truth to light.
Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested. Every day at eight in the morning he was brought his breakfast by Mrs. Grubach's cook - Mrs. Grubach was his landlady - but today she didn't come. That had never happened before. K. waited a little while, looked from his pillow at the old woman who lived opposite and who was watching him with an inquisitiveness quite unusual for her, and finally, both hungry and disconcerted, rang the bell. There was immediately a knock at the door and a man entered. He had never seen the man in this house before. He was slim but firmly built, his clothes were black and close-fitting, with many folds and pockets, buckles and buttons and a belt, all of which gave the impression of being very practical but without making it very clear what they were actually for. "Who are you?" asked K., sitting half upright in his bed. The man, however, ignored the question as if his arrival simply had to be accepted, and merely replied, "You rang?" "Anna should have brought me my breakfast," said K. He tried to work out who the man actually was, first in silence, just through observation and by thinking about it, but the man didn't stay still to be looked at for very long. Instead he went over to the door, opened it slightly, and said to someone who was clearly standing immediately behind it,
A tight-knit community is shocked by revelations from decades past in this "enthralling" (Associated Press) literary mystery that "will keep you racing toward the end" (Lisa Gardner). The lead homicide investigator in a rural town, Detective Sergeant Gemma Woodstock is deeply unnerved when a high school classmate is found strangled, her body floating in a lake. And not just any classmate, but Rosalind Ryan, whose beauty and inscrutability exerted a magnetic pull on Smithson High School, first during Rosalind's student years and then again when she returned to teach drama. As much as Rosalind's life was a mystery to Gemma when they were students together, her death presents even more of a puzzle. What made Rosalind quit her teaching job in Sydney and return to her hometown? Why did she live in a small, run-down apartment when her father was one of the town's richest men? And despite her many admirers, did anyone in the town truly know her? Rosalind's enigmas frustrate and obsess Gemma, who has her own dangerous secrets--an affair with her colleague and past tragedies that may not stay in the past. Brilliantly rendered, The Dark Lake has characters as compelling and mysteries as layered as the best thrillers from Gillian Flynn and Sophie Hannah.
A ruthless terrorist with no past. A burned-out hostage negotiator with no future. And a clock ticking towards utter carnage unless a puzzle is solved: Who is he?