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On a summer's day, a mother, daughter and granddaughter's care-free day trip comes to an abrupt end. Beautiful and restrained.
The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.
Amor Fati seeks out parts that complete each other. These are portraits of couples, friends, families and pets and their owners. They share the intimacy of daily life, habits, beliefs, tastes and even some physical traits. From their faces, from the choreography of their gestures, we unveil the story that binds them.
The Ø island is composed of several landscapes within a single landscape. They are territories lived and shaped by interior and exterior time. There are no privatized territories on this island. They are landscapes that cannot be accommodated: they expand through encounters, clashes, pressures and frictions. Between silence and intimacy, new islands are sculpted, in a possible encounter between life and death.
Kora outlines the stories of refugee women living in Portugal. They all carry their past with them, in their body and words, as well as in pictures of their loved ones. From these memories, we access the intimate and political gaze of those who reconstruct (their) present.
On April 25, 1975, the first free elections were held in Portugal. The adult population exercised their right to vote democratically for the first time. Around 92% of registered voters went to the polls, a turnout rate that has never been surpassed to this day. Election night was held at the Calouste Gulbenkian Foundation, while the vote count was broadcast live on television. This film revisits the elections through the images produced during that night and the testimonies of those who lived through this historic moment.
A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.
A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.
The art of delusion is sculpted with images from a family archive from the 70s and 80s and sound clips from films. Madame Bovary is Flaubert's heroine and opens the hosts of this narrative exercise. Based on Ema Paiva's dialogue with her friend and confidant Pedro Luminares in the film Vale Abraão (Manoel de Oliveira, 1993), we understand gender identity as a closed characterisation of social values.
Maria and Matías feel life is slipping through their fingers, and turn to birds, real and imagined, in a search for meaning and connection.