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OAO is a cinematic opera in which mezzo-soprano Anna Wallace explores intergenerational trauma, casting a spell to be reborn through the filmic medium.
This film was created as a gift for our loved ones while we were all in isolation. The sole utility of the piece is to brighten up your day and to bring you back to the little pleasures of childhood. Filmed and in-camera edited in Super 8mm by Rocio Mesa with an original soundtrack by Landon Caldwell. Spring 2020.
16mm in-camera-edited symphony portrait of the anachronistic city of Burbank through its most iconic neon signs
The land gives. The land traps. The land calls. VEGA (*Spanish): flat, low and fertile land. VEGA: It is the fifth brightest star in the night sky, and the second-brightest star in the northern celestial hemisphere, after Arcturus.
Orensanz is the antithesis of the conventional biopic. The film begins as a guided tour through one of the Lower East Side’s most singular artistic landmarks, only to unfold into a revealing journey deep into the Aragonese Pyrenees and its people. Contemporary artist Ángel Orensanz becomes the hinge between Manhattan and the remote village of Larués, Spain: an elusive, omnipresent man who seems to exist everywhere and nowhere at once. The film questions the very idea of what we understand an artist to be, searching for possible answers that may help redefine the collective imagination surrounding the figure of the creative genius.
The tobacco plant was introduced to Granada (Southern Spain) in 1923. It became a monoculture in the region until the end of the century. When the tobacco production stopped being profitable, the farmers switched to new crops like wheat, corn or asparagus. However, the lands of Granada are still replete with tobacco barns: large empty houses where the leaves used to be hanged to dry. They inhabit the landscape like architectural ghosts.
The caves of Almería where Conan the Barbarian was filmed bear the profound imprint that cinema leaves on the places where it is shot. What happens when the myth of fiction fades? Can we reuse that imprint to imagine something different through it?
An adventure with brave children, a talking skunk, and a villain with too much cement on his head, Maia and Jan, our protagonists, have one mission: to save the summer camp.
After a difficult divorce, Alicia moves into an old house with her daughter Carla, unaware that it hides a past of recurrent tragedy. As Carla senses perturbing presences, Alicia begins to doubt her own sanity. A blue dress connects Carla to the ghost of a girl from the past, triggering terrifying events. Mother and daughter will try to escape the house, but the house won’t let them get away so easily.