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The Adamant is a unique day-care centre. A floating structure located on the Seine in the heart of Paris, it welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits. The team running it tries to resist the deterioration and dehumanisation of psychiatry as best as they can.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
Averroès and Rosa Parks: two units of the Esquirol Hospital, which - like the Adamant - are part of the Paris Central Psychiatric Group. From individual interviews to «carer-patient» meetings, the filmmaker focuses on showing a form of psychiatry that continually strives to make room for and rehabilitate the patients’ words. Little by little, each one eases open the door to their world. Within an increasingly worn-out health system, how can the forsaken be given a place among others.
Nénette, an orangutan, is the star of the Parisian zoo where she has lived most of her long life. She is a mother of four and has survived three mates, and she bonds only with a few select keepers. The camera rests throughout on Nénette and the other apes in everyday situations. We only see the visitors as occasional reflections in the glass, but we hear their recorded comments and conversations alongside interviews with the zoo keepers.
Jacques Lemonnier of IBM France, Francois Dalle of L'Oreal and other ultrapowerful French moguls are surprisingly candid -- and cold-blooded -- as they discuss their attitudes about business in this startling 1978 documentary. After sounding off about unions, strikes, hierarchy and management, the subjects realized how callous they sounded and managed to convince the French government to suppress the film.
Every year, thousands of students – mostly female – embark upon courses that will lead them to become nurses. This film follows the ups and downs of an apprenticeship that will confront them, often at a young age, with human fragility, suffering, illness, the flaws in souls and bodies.
A film about the preparation of the "Trilogy For a Single Man," about the medical and nutritional monitoring of French mountaineer Christophe Profit during his climbing "trilogy" and the period of intensive training that preceded one of the most fabulous "chains" ever made by a mountaineer. On March 12 and 13, 1987, Christophe Profit, then 26, successfully climbed the three largest north faces of the Alps in winter in 40 hours: Grandes Jorasses, Eiger, Matterhorn. But beyond this coverage of the event, it is the behind-the-scenes that is revealed, the story of this project, the ups and downs of its preparations and the personality of its author, a dancer of the verticals, who concentrates at his fingertips the energy and reflexes of life itself.
This fascinating French documentary chronicles the reopening of the Zoology Hall in the Paris Museum of Natural History in 1993. It had been closed for almost thirty years and it took three years of hard work to restore it and the stuffed creatures within.
We see how a show, created, improvised and acted by the collaboration of students at Strasbourg's National Theater, is developed from start to finish, in this documentary.
Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the reader's voice correctly modulated? Nicolas Philibert has accepted the challenge to portray that which cannot be seen. Shouldering his camera, he spent half a year wandering the endless corridors of Radio France’s ‘round house’ on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work.