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A film about five Latvian women who were all born the year 1960 and brought up under the Soviet Union regime. When the film starts the Soviet Union has fallen and Latvia is now an independant state. The women are pretty much left to fend for them selves and their children. They describe their lives as divorced and single mothers in a time of social, political and economic crisis. It is a film about broken relationships between men and women, between generations and a society in shambles.
Two Latvian actors travel the country and visit different witches and healers to find purpose to their lives after years of alcoholism, which has had a great impact on their personal health. On the way they run into trouble, adventure and many comic, as well as tragic, situations.
Members of a class of the 1980s hold an annual gathering. All together spend one night remembering the passions and hopes of youth and realising what has been achieved or missed.
A unique, engaging film that combines documentary footage with narrative cinema to tell the story of four generations of a Latvian family. Sixteen year-old student Jānis has been given an interesting homework assignment – to draw his family tree and explain it. The story of his family begins with his great-great-grandfather who burned down the manors of German landowners during the 1905 revolution. My Family Tree takes us on a journey to various countries and political regimes, showing Jānis’ ancestors to be people of diverse fates and life stories. A rich Latvian trader, a red rifleman loyal to Lenin, a carpenter with the KGB and war refugees in Sweden are only a few branches on his family tree, and the boy has heard something unusual and unforgettable about each and every one of these people.
An ordinary old folks’ home on the Latvian border – one of many, where our parents, grand-parents and other relatives spend their old age. Theirs is the generation whose prime years co-existed with the Soviet Union, and who were promised: work, give all you can, and we’ll take care when you’re old. The system changed and the reality is different. How to live in this reality, accept the current rules, or live in the past and have regrets. We will touch upon their world, and the dreams and hopes of Vilnis, Imants, Alberts and Elizabete.
Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.
A portrait of female prisoners and their guards in Afghanistan, showing parallel lives - the lives of the female prisoners, the life of the warden of the women’s prison, as well as the foreign advisors. The film shows the interplay of various levels of imprisonment. One level is the women themselves, the other is the strict and repressive rules for Afghan women, and yet another is the security threat of the outside world perceived by the advisors.
In a Latvian bakery, Aina breaks 40000 eggs per day by hand, and she has done this monotone job for almost 20 years.
Diana, a woman in her early 40s, struggles to end an abusive relationship with her husband while also trying to protect the only possession their family have left – an apartment in a luxurious part of the city. As the couple’s daughter Astra gets involved in the conflict, Diana will have to make a choice between Astra’s wellbeing and her own goals and convictions.
A portrait of Lars Vilks, the State Secretary of his own micro-nation Ladonia, a sculptor and a scandal-maker (as an art form), and professor of art theory. He is the only Swede, and also the only Latvian (by ancestry), with a price of $150 000 on his head. But perhaps he has been under-valued. A look at Ladonia, and at the nemesis of Swedish officialdom.