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Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.
Aaro Saarinen is a foreman in the paper mill. The new generation continually questions his authority in both at work and at home.
The Finnish army retreats during the war summer of 1944. Corporal Lauri Ojala is left on the wrong side of the Vuoksi River. He decides to break ranks with the army and goes home. Two months later, Ojala is forced to dig his own grave.
L. Onerva and Eino Leino - two people, two rebels, prisoners of a difficult love relationship. Along with two passionate poets, there will be a third wheel, a young and talented composer Leevi Madetoja.
The story of a man raised in a boy's home and prison who doesn't conform to the rules and discipline of the military.
A TV movie based on Pentti Haanpää's novel, which tells the story of the power struggle between Sergeant Sado and Corporal Kärnä.
Like good soldiers in a war-zone, hospital staff are expected to respect the chain of command when dealing with life and death situations. But what happens when smug doctors, arrogant surgeons, and out-of-touch administrators make that easier said than done? Nurses deals with the professional and personal lives of four female colleagues who cope in different ways with the challenges of life on the trauma ward. With determination, strength, and a dark sense of humor, they achieve the demanding and inspiring task of saving lives in a system that sometimes seems designed to do the opposite.
When Sofia Karppi, a detective in her 30's who is trying to get over her husband's death, discovers the body of a young woman on a construction site, she triggers a chain of events that threatens to destroy her life again.