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An experimental short by Beth B. It consists of rapidly intercut close-ups of talking heads reading statements from a Sigmund Freud case history; affidavits attesting to the atrocities of Dr. Josef Mengele, the Nazi war criminal; and journals from the trial of New Yorker Joel Steinberg, accused of killing his adopted daughter.
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Eileen Maloney, a hostess at a strip joint, has woken up to find her two children are missing. Lieutenant Bramm suspects that she killed them herself. He questions her for days about her lifestyle, her children, her ex-husband, men and women, and life in general. He forces her to re-enact her last moments in the children's room hoping to shock her into giving more information. The lieutenant's infatuation is not merely professional, however, and soon they are reversing roles.
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Beth B takes us into the 21st century underground and reveals a secret world where cutting-edge performers are taking hold of a taboo art form, Burlesque, and driving it to extremes that most people have never seen. It's satire. It's parody. It's a populist blend of art and entertainment that gives new meaning to the word "transgression." Above all, it's a lot of fun, and it will blow your mind.
A stark and uncompromising portrayal of the escalation of xenophobic sentiment in a neo-conservative climate. Beth B refuses to preach and, by extension, to divide. The work trusts the ambiguity of art, rather than to assume a condescending position of knowledgeable correctness from which moral superiority might be inferred.
Hysteria explores issues surrounding women's emotions and sexuality, and their social manifestations.