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A woman walks over jagged, weather-beaten rocks by the sea. She is barefoot, wearing a simple white dress. The wind blows unchecked, her face hidden beneath the brim of a floppy hat. She walks and walks, resolute. Sometimes she carries a large jute bag. What is happening here?
Trilogy about love, experienced at different moments in life, by different people: an old couple, a young couple and two children at infant school.
A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.
From massive waves to melting ice, filmmaker Victor Kossakovsky travels around the world to capture stunning images of the beauty and raw power of water.
Seven-year-old Polina and her 13-year-old sister Nastia live and breathe ballet. Both of them are studying at the Boris Eifman Dance Academy in frigid Saint Petersburg. They’re currently awaiting their grades to find out if they’ve done well enough to be promoted to the next year, with Nastia lovingly guiding he little sister through the process. But in the meantime, Nastia also has to deal with the high demands that the academy places on its students. The gorgeously styled shots are sometimes calm, even clinical, and sometimes warm, lively and funny.
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
Remarkable footage of a Barcelona anti-austerity demonstration – and its quelling – shaped into a lyrical tribute to the spirit of protest by Victor Kossakovsky ( ¡Vivan las Antipodas!) and 32 Spanish film students.
Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.
Victor Kossakovsky searched obsessively for inhabitants of St. Petersburg who were born on Wednesday 19 July 1961, his own birthday, in former Leningrad. Fifty-one women and fifty men fitted the profile. In the course of time a few of these 101 people had died, others had moved to another community or abroad. But in 1995 Kossakovsky managed to capture on film all seventy remaining residents, in the street, at work or simply at home. While doing so he spent time with doctors and patients, entertainers and businessmen, construction workers and homeless people. In his unorthodox style Kossakovsky has produced a beautiful profile of people in their thirties in St. Petersburg.
Football seen through the eyes of some of the best directors of the world.