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Recording of a tense discussion between three people around the question of "revolution". Steve Ben Israel (member of the Living Theatre), James Cellan (BBC director) and David Autie (sculptor) confront each other in a debate that provoked a strong political and radical awareness among the students of the Royal College of Art in London. The screening of the document led to the return to school of five students who had been unjustly expelled by the school administration.
Madeleine, a young French Canadian woman, goes to London to study English literature. She meets a young actor, Peter, who has just graduated from school and is unemployed.
The story of two characters that we hear but never see. The film begins with a young student filming the London Markets in 1969. 25 years later, she invites a man to watch the film about his youth. The couple converse over the footage from that time, a budding love develops as the film ends.
Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.
A woman's marriage is in crisis as a result of her difficult and complex relationship with her mother.
a portrait of the changing social and political context of the nuclear family in the 1970s, focusing on four families of varying circumstances: a traditional nuclear family with a special needs child, a separated family, a single-parent family and a family in a communal living environment.
What do we know about childhood other than the constructions we make of it? A little girl died inside the day her father left. As an adult, she is still there, frozen, stuck in the sand, ready to dissolve in the storm of her childhood. But is he really gone? Can memory lie to us? A film where characters from the past are transformed into actors in the present. A cinematic essay, based on images that the filmmaker has filmed over the years and family archives dating from the 1940s, all shot in the same place, on the same beach in Old Orchard, Maine, USA.
A filmmaker explores the difficulty of being a woman, provoked by the porn films found among the belongings her father left behind. ‘Is pornography love?’ she asks herself. Watching these 8mm porn films becomes her way of creating a connection with ‘the FATHER,’ as she passes progressively from her memories of her father to her own gaze. A film that considers the male gaze.
There were these reels that Mireille Dansereau kept at home. However, the filmmaker didn’t know exactly what was on them or what they might contain. In 2024, Mireille Dansereau and André Habib agreed: these reels would be digitized at the CinéMedias Laboratory. Led by André Habib and Florence Audet, the digitization process gradually revealed these family archives.
Madeleine Dansereau was the first woman jeweller in Quebec. She started her career at the age of 47, just when doctors diagnosed her as having breast cancer. Her best known achievement was the Emblem for the National Order of Quebec. Her daughter, Mireille, reveals their relationship over the past twenty years, using as a backdrop her own work as a filmmaker.