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A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.
Archduke Johann falls in love with Anna Plochl, the postmaster's daughter. Johann and his royal arranged bride both decline a dynastic alliance advised by minister Metternich in favor of their loves.
Real estate speculator Albert Hahn is found dead in his cellar. He died of fermentation gas poisoning. The doctor in charge assumes it was an accident. But Polt knows that the dead man was hated in the community. He suspects that the murderer wanted to make the death look like an accident. Many of the winegrowers had a motive. After a long investigation in the wine cellars, he discovers that all the cellars are connected by holes. Polt doesn't want to leave the feeling that it was a murder. As he drinks some wine with his friends, they all confess to the crime. They had all poisoned Albert Hahn with the fermentation gas together, but only one of them wants to take all the blame, as the rest have children and wives. He commits suicide and leaves a confession behind.
KILLING STELLA is an ice-cold examination of a failed marriage and the self-reproach of a wife and mother. It is a prequel to THE WALL in both literary and cinematic terms.
Editor-in-chief Daniel Käfer is unemployed. His magazine "Intelligence" was discontinued due to "too high a standard". Now he wants to think about his future in Ausseerland, where he spent his best summer vacations, but his return to the realm of his childhood turns out to be a dangerous labyrinth that entangles him in the dark secrets of the Ausseer people.
The latest Gasperlmaier case has almost ended in Ausseerland. On the day of the Pfeiffer's Day, of all days, a young musician is found dead on the Weißenbachalm pasture, and Gasperlmaier must once again embark on a criminal hunt. This time, too, the likeable police officer, Franz Gasperlmaier, can't rest. Not only is his beloved wife, Christine, traveling the world, leaving him alone with the household, but a new murder case is keeping Gasperlmaier on his toes. At the annual Pfeiffer's Day, where he is about to enjoy a fine schnapps with station commander Friedrich Kahlß, a scream shatters the peaceful atmosphere.
Simon Polt (Erwin Steinhauer) is no longer a gendarme. Arrived in retirement, he participates cheerfully in the Weinviertel on village life. When a corpse is found after a feast, his sense of right and wrong again becomes noticeable. The police do not see any third party debt. He sees it differently.
Even Franz Gasperlmaier had never seen anything like this before. He's seen a lot of things, after all, Gasperlmaier has been a police officer in Altaussee for more than twenty years. But a stabbed man on a Monday morning in the festival tent at the Altaussee Kirtag is too much even for a seasoned man like him. And so he makes a wrong decision, not his last one that day, and the dead man sitting in his own blood in the festival tent won't be the only victim.