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It's nighttime in Prague, 21 August 1968. Soviet troops and tanks are occupying the city - random attacks, soldiers shooting, bodies lying dead on the sidewalk. With an impromptu crew, the director (Karel Roden) captures some unique evidence - material which is, however, worthless in occupied Prague; it has to be shown to the rest of the world. So, while the Soviets are concocting false reports of heartfelt receptions without military resistance for propaganda purposes, the director sets off on a risky trip across the closed Czech-Austrian border to Vienna.
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Travelling salesman Gregor Samsa wakes to find that he's been transformed into a giant insect. This particular Franz Kafka adaptation is seen from Gregor's point of view, continuing to explore themes of alienation, family duty, and the absurdity of modern life as the Samsa clan cope with how to go on with the situation at hand.
Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.
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In 1992, Prague is the capital of a small kingdom. The prince is supposed to choose his bride to be at a royal ball. But to everybody's surprise, he chooses an ugly cleaning-woman. She is shy and silent, but after the marriage she turns into a wild and rumbustious woman with an obstinate and stubborn mind. They both try to kill each other, but the queen is thrown into the dungeons.
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