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Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.
Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and '80s shaped his vision.
When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.
The ghosts of a middle-aged woman and a precocious little girl help an unwed jazz musician and a bar dancer reverse their bad fortune.
This short documentary captures the poetry of the city’s storied skid row before its gentrification.
Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the third film in the series.
In downtown Manhattan, twentysomething Allie, whose father is not around and whose mother is institutionalized, is a big Charlie Parker fan. He almost subconsciously searches for meaning in his life and meets some idiosyncratic characters along the way.
A young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.