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A man marks everything he encounters with an X, from telephone poles to fruit and books he fondles in markets to a woman he pursues who lies on the ground, first clothed, then unclothed. As he caresses her back. he puts X’s along her spine. Later, when he draws an X on a storefront. he is beaten and dragged off by businessmen. The allegorical batsu can be either consent or rejection, or the mark of individualism. putting an identifying (or accepting) mark on the world. A private 16mm neo-Dadaist film made by Shuntaro Tanikawa and Toru Takemitsu, who were passionately talking about movies, with a playful mind. Naozumi Yamamoto, who is also a composer and conductor, writes the "X" sign all the time. At first, the film was planned to compose in jazz, but in the end, the music was completed without being able to be included
Renowned Japanese poet Shuntaro Tanikawa teams with former "rock chick" Wakako Kaku to craft this pensive love story told almost entirely in still photographs. After steering a suicidal man away from the brink of despair, an astronomical observatory worker teaches him her favorite watchword, "Yah Chakya!" ("I, Seagull"). The phrase had once been spoken by the first female cosmonaut, and was the call-sign for the Soviet spacecraft Vostok. But for this woman, the word has taken on greater meaning; not only is it a greeting, but a secret handshake and a symbol of the universe as well. Upon learning the phrase, the man finally finds the strength to go on living.
Amidst the 1960 Japanese-American mutual security treaty, alienated young nihilist Takuya struggles to find his footing between his do-nothing wealth and the outer Western extremism as major student protests take place.
Easily bored, but still innocent and naive countryside girl discovers partying in Tokyo is a ton of fun. Yakuza-to-be is an acquaintance who tries to rape her, and the typically bland but very-good-here the first boyfriend.
Shûji Terayama's commercial for the Japanese Racing Association.
The documentary to find the "true Shuji Terayama".
Shuji Terayama starts a poem, and then ships his pencil to Herbie Yamaguchi in the UK. Herbie ships the pencil back to Terayama, who then finishes his poem.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Long-lost footage from Elvis Presley's legendary Las Vegas residency in the 1970s woven together with rare 16mm footage from Elvis on Tour, and 8mm from the Graceland archive, plus recordings of Elvis telling "his side of the story" rediscovered during Baz Luhrmann's research for his 2022 film, Elvis.