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A "metal fetishist", driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman and his girlfriend. The pair dispose of the corpse in hopes of quietly moving on with their lives. However, the businessman soon finds that he is now plagued by a vicious curse that transforms his flesh into iron.
Vietnam veteran Allen Nelson returns with severe PTSD, winding up on the streets before crossing paths with Dr. Daniels of the Veterans Affairs who sets about trying to help him.
A school was built on one of the Gates of Hell, behind which hordes of demons await the moment they will be free to roam the Earth. Hiruko is a goblin sent to Earth on a reconnaissance mission. He beheads students in order to assemble their heads on the demons' spider-like bodies. Hieda, an archaeology professor, and Masao, a haunted student, investigate the gory deaths.
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
A businessman, Tsuda, runs into a childhood friend, Kojima, on the subway. Kojima is working as a semiprofessional boxer. Tsuda soon begins to suspect that Kojima might be having an affair with his fiancée Hizuru. After an altercation, Tsuda begins training rigorously himself, leading to an extremely bloody, violent confrontation.
Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
When a single mother suffers a nervous breakdown, she is suspected of child abuse and her child is taken away. Her mental suffering escalates as she succumbs to her darkest fantasies.
Rinko, a woman in a sexless marriage, is blackmailed by a stalker with intimate photos, forcing her into a series of erotic acts that disrupt her mundane life.
When the son of an American man and a Japanese woman is killed in a car crash, the man transforms into a rageful metallic being thirsty of blood and vengeance.