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A parody of film genres composed of three shorts, spoofing personal growth films, glossy soap operas, and police stories.
The tale of a young girl fresh off the bus from Iowa, who falls in love with a sexy and promising young actor, though their relationship threatens to complicate her own obsessive goal of becoming a famous actress. The film perfectly captures the delightful and desperate lives of those chasing dreams in Hollywood: One day they are shuffling down a boardwalk with too many suitcases, and the next they are lounging in contemporary hillside homes with a view of the city. Though neither state is permanent the more desirable one fuels the dream. The story's extraordinary execution portrays Hollywood as the fantastic and insane place that it is. Written by Lane Kneedler, American Film Institute Magazine
Noah, a young woman who lives alone in New York, is dating two very different men, Fred and Mitch, at the same time. However, she realises that neither man can totally fulfil her needs.
A man returns to his sublet apartment to find the previous tenants, three offbeat young women, still in residence, under the mistaken belief that they have the apartment until the end of New Year's Day.
A Hollywood film director assembles a group of friends and strangers for a social gathering on Valentines Day in a deserted movie theater where he interviews each one on their opinions on love and loneliness.
Helena Mora, the head of an eccentric theatrical family, has decided to sell her large estate in the Hamptons because of her recent money troubles. Before she completes the sale, she wants to have one last gathering of family and friends, with dramatic performances. Bringing everyone together, though, creates rivalries and tension, especially for Oona, a temperamental but successful movie actress who seeks the approval of her creative peers.
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Gena is an average woman who is torn between her current boyfriend's desire to marry her and start a family, and the unexpected arrival of an old boyfriend wanting to pick up where they left off. To further complicate matters, she might be pregnant herself. In the mist of this unsettled personal life, Gena leaves her two men to attend a baby shower party for a girl friend and talks with the various female attendees all of whom are facing their own ticking biological clocks.
Zee is walking up and down Manhattan streets, talking to herself and to the husband who has just left her. At a sidewalk café she runs into Eli, and a very unlikely, funny and touching relationship develops between two lost souls in the big city.
Dean is a maverick American film director surprised that his most recent film has been chosen as the Official U.S. Entry at the Venice Film Festival. A beautiful French journalist arrives at the festival with the apparent intention of interviewing the unique and eccentric filmmaker. In the midst of all the festival madness, she is forced to confront the wide divergence between things as they really are and things as they seem to be - both on screen and off. And so, finally, are we. Shot half in Venice, Italy and half in Venice, California, "Venice/Venice" looks at the profound effect movies have had - and continue to have - on our lives, our loves and on our dreams of romance.