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A look into the life of the newly elected Prime Minister of Iceland, who starts losing his grip on reality and the effect that has on his family and the Icelandic nation.
Ragnar, straight out of hospital, orders a taxi-driver around Reykjavik in order to find a three layered chocolate box. He wants to repay a nurse for her good service at the hospital. After each unsuccessful stop at various grocery stores, his daughter, Hrönn, gets increasingly agitated in the back seat of the cab. Tension between father and daughter build to a peak, and it becomes crucial for Hrönn to confront her father for the first time in her life.
After surviving a brutal assault, a young lawyer moves into a historic Reykjavik flat—only to sense she’s not alone. As eerie events and the flat’s violent past close in on her, she must confront her deepest fears before her mind—or something darker—destroys her.
When young Sól is sent to live with her distant countryside relatives for a summer, she becomes entangled in a dramatic rite of passage with a mysterious farmhand, Jón, and the farmer’s daughter, Ásta.
Spring of 1971, Johanna, a professor of Nordic Studies comes home from Paris to attend her father’s funeral. She’s also looking to find work at the University, but her feminist viewpoints about the systematic silencing of women’s voices in history does not go over well with the university board.
Despite being well into adulthood, brothers Doug and Steve Butabi still live at home and work in the flower shop owned by their dad. They exist only to hit on women at discos, though they're routinely unsuccessful until a chance run-in with Richard Grieco gets them inside the swank Roxbury club. Mistaken for high rollers, they meet their dream women, Vivica and Cambi, and resolve to open a club of their own.
Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"
Using a magical photo booth that sends him back in time, Noah relives the night he met Avery over and over, trying to persuade her to fall for him.
Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.
An ambitious coffee salesman has a series of improbable and ironic adventures seemingly designed to challenge his naive idealism.