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An audiovisual essay on the relationship between the so-called Golden Age of the Netherlands, which comprises a good part of the 17th century, and the contemporary nature of the struggles undertaken during that period.
Putting past and present in an intense dialogue, the film addresses some structural issues of the formation of the city of Fortaleza, exposing a significant part of what constitutes the problematic process of growth of one of the largest metropolises in Brazil.
A travel agency employee is tasked with providing a new and unusual service to his boss. It is the delivery of a document that seems to be essential for the company to run. In this context, the precarious working conditions are contrasted with the obscurity and magnitude of the final product offered.
Trail traces.
The controversial urban daily life of the developed world and the inequalities of the developing world confronted in an extreme audiovisual experience.
Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.
Leader of the student union, Saulo is the target of racist curses inside the classroom. When he retaliates, he is called to the principal's office, but refuses to suffer the consequences of the attack alone, since the aggressor is not responsible for his speech. Inspired by readings about the Black Panthers, the boy decides to stay in school until justice is done. Meanwhile, he exposes the neglect of the establishment's structure with his cell phone. Gradually, colleagues, teachers, directors and even politicians get involved in the conflict that is highlighted in the media.