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Two 19 year old girls were brutally murdered. The bodies were abandoned and could not be found anywhere inside the warehouse scattered with blood. The only suspect, was their friend. He was drunk on the night of the incident. He doesn’t recall a single memory. No memories of committing a murder. No memories of not committing a murder either. The boy had become a young adult by the time he was released from prison in 11 years. He wished to pursue a quiet life… But another murder flips the village. A white bone carcass has been discovered. The real devil is hiding somewhere within the seemingly peaceful village. Who’s the real devil?
Cha Su-yeol, a police officer who has long despised his mother, the notorious 'Mantis' serial killer, must reluctantly turn to her for help when a copycat killer emerges.
In revenge for her husband's infidelity, a young beautiful housewife, Mi-heun, starts an affair with an attractive young doctor, In-gyu. Despite her husband's efforts to regain her love and the disapproval by the conservative little town, Mi-huen gradually finds happiness and satisfaction in the affair and decides to turn her back on her quiet life.
Five high school teens on their way to college. But gradually they go through the struggles of life and end up discovering who they are and what it is they truly want in life.
The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.
This documentary is an "Asian report" on so-called international prostitution. The subject matter of parasitic tourism in Jeju Island in Korea is focused on, and it is said that international prostitution in Asia has a relationship between countries, focusing on Thailand and Japan, and that it is not only a problem between countries biased by the flow of capital, but also in the context of "sexual culture" with long roots. In the second half, the question is what is the alternative and what is the boundary between prostitution and non-prostitution in the current situation that is considered to be like "ghetto" because it is separated from the life of the general public.
"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.
Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.