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Schoolgirl Kuniko is kidnapped by a middle-aged man Iwazono when she is jogging. He tells her that he had a failed marriage which leaves him a deep and everlasting scar in his mind. He kidnaps her in search of a perfect marriage and intends to lock her in the room and 'educate' her to perform perfect sex where body and soul are united.
A young girl, who lost her father at her early age, is kidnapped by a school teacher. He strips, binds and attempts to rape her. For the next few days she tries to escape but in vain. Later, she becomes used to the life with him. Even when she has a chance to run, she chooses to stay. Slowly, their relationship becomes a creepy half-paternal, half-romantic liaison.
A lonely young Japanese student, Ai Narushima (Kana Ito) goes on a field trip with her school. At night she decides to take a taxi into the city. The Chinese taxi driver, Bo Tony Ho, is also a lonely soul and on a whim, decides to kidnap the young student. He takes her to the countryside and confines her in a room for days. The taxi driver doesn't abuse the student, but at night attempts to cuddle next to her. Eventually the lonely young Japanese student realizes he is as lonely as she is.
A shy, nerdy man, Takeru finds a schoolgirl hooker Lily is unconscious in a Tokyo park, so he decides to bring her home and lock her up in a secret basement. Although Lily is afraid of him, in fact, Takeru didn't do anything to hurt her. After Lily begins to uncover a shocking episode
Because of the desolate landscape, Kobayashi chose snow-covered Hokkaido (the most northern island of Japan) as the setting for Amazing Story, a light-erotic drama about a lonely man, Kenji, who kidnaps the woman of his dreams. The woman is Harumi, a hairdresser in the deserted town where Kenji has just arrived. It's never really busy in her business. Harumi's husband is a gambling addict and spends all Harumi's money. Maybe that's why Harumi doesn't try very hard to escape when Kenji kidnaps her. His concern about her and his boundless worship probably help, too. Something strange and beautiful blossoms between the kidnapper and his victim, but can this be the basis of a long and happy encounter?
The seventh film of “The Perfect Education” series tells the tale of a man and a girl who pursue love to the point of madness. With erotic dances and love scenes shot in 3D, the film dpicts a “pure love” story tied with sexual desires. “Welcome home, Master!” Kabashima is a regular at the maid cafe. He is head over heels in love with Ichigo, a maid who works there. On her birthday, he is waiting for her by the back door, she exits finally…several hours later, she awakes only to find herself surrounded by thin, plywood walls, her feel, hand, and mouth bound and gagged with packing tape. Amid the darkness, Kabashima quietly opens his mouth, “this is our house. Let’s live intimately together.”
In Okinawa, a down-and-out middle-aged yakuza underling named Shidara kidnaps and confines a high school girl named Yui, the daughter of a fellow yakuza’s mistress.
Ayano, a middle-aged female director met Aoi, young attractive actor at the audition for her new film. Ayano soon felt something different in Aoi and the audition goes far beyond the moral.
In the Edo era, two man arrive in a village and engage in criminal activity. While one of them becomes successful and rich, the other gets betrayed and ends up in prison, burning for revenge. The truth changes with the viewpoint in this Wakamatsu film, which has inspired comparisons to Rashomon.
LEAD TOMBSTONE tracks the progress of a young sociopathic rake who had, immediately post-WW2, rescued his country farmer mother from rape by stabbing the offending American soldier in the back with a pitchfork. Once grown, the boy continues his violent life as a hoodlum on the run, repaying an outlaw couple who have sheltered him by raping the wife, then, at his boss’s behest, murdering the husband. He’s also not above strangling a girl in her bathtub for kicks. The one spot of normalcy in his life is his shop girl girlfriend, an innocent who, once she discovers his other life, confronts his boss… (from OUTLAW MASTERS OF JAPANESE CINEMA by Chris D)