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An avant-garde omnibus that features works by off-the-wall artists in many different disciplines.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985. The film includes songs from her 1984 album Mister Heartbreak and selections from her 1983 United States I–IV stage shows, along with eclectic, experimental visuals blending film, animation, dance and electronics.
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This performance consists of ten songs in which music, language and images are equally important. In most of these songs, Anderson plays the violin, accompanied by her own singing and an audiotape (with spoken text, more singing or more violin music). Her songs are often combined with a film projection: she is framed by the light from the projection, and is playing with the shadows cast by her body and her violin. Anderson makes experimental music, and she often find solutions in technological inventions, as with the song 'a man, a woman, a house and a tree'. The music for this piece is created with the help of a ‘slow-scan’ machine, which registers visual information and transforms this into sound. These experiments are not only about music, but also abou language: anagrams, play on words and poetic stories. The introductory anecdotes that Anderson tells are just as important as the song itself.
An account of Baron Munchausen's supposed travels and fantastical experiences with his band of misfits.
A man narrates stories of his life as a 10-year-old boy in 1969 Houston, weaving tales of nostalgia with a fantastical account of a journey to the moon.
Desperate to land a man on the moon before Russia does, NASA hastily preps a would-be spaceman for a mission that would leave him alone in a lunar shelter for a year.
The world is delighted when a spacecraft containing a crew made up of the world's astronauts lands on the moon, but are shocked when the astronauts discover an old British flag and a document declaring that the moon is taken for Queen Victoria proving that the astronauts were not the first men on the moon.
What if Apollo 11 never actually made it? What if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration? This is the premise of a totally plausible conspiracy theory that takes us to swinging sixties London, where a stubborn CIA agent will never find Kubrick but is forced to team up with a lousy manager of a seedy rock band to develop the biggest con of all time.