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Perhaps now overshadowed by the figures of the excluded or the immigrant, workers have been portrayed in cinema mostly in the context of conflicts or as castaways of progress and globalization. But beyond these demands, who are these workers today? What has become of their lives? How have their dreams and visions been transformed?
Throughout his childhood, the filmmaker Cristian Pauls vacationed in Fortín Tiburcio. Half a century later, he returns to the small town. Against all odds, his journey –and that of the film– moves away from a nostalgic reconstruction to become an update of a distant but still tangible past.
The film retraces the journey of Gustav Emil Haeger's Swedish expedition (1920). Using the route defined by "Following the Indian Trails of the Pilcomayo River," the film made by the Swedish contingent in Formosa at the time, the film contrasts that past with the present-day journey.
A group of Australians undertake a trip to South America together with their leader, the English writer, William Lane (1861-1917), with the aim of setting up a socialist colony in the Paraguayan nature.
When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.
Within the framework of an office, a typical presenter shows us -on the one hand- the dramatizations and "scientific" foundations while -on the other- the fantasies and actions of its protagonists escape the genre, revealing an absurd story of power and concealment.