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Set in Hamburg's “Hell's Kitchen,” a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it. He becomes a small-time pimp, sending his naive girlfriend out onto the streets thinking she is financing their middle-class future. When he becomes involved with an old pal, Nil, he increases his criminal portfolio. But when he steals Nil's girlfriend and things heat up, he leaves for his sister's middle-class home in Berlin, where his attempts to fit in are doomed from the start. Returning to Hamburg, he starts a rapid decline that delivers him into the waiting arms of Nil, whose revenge is merciless.
When Peter Huber the proprietor of a Bavarian corner newsstand, wins a free trip to New York City in a magazine contest, he is overjoyed. Filled with romantic ideas from the movies, his actual encounter with the gritty realities of the Big Apple are sobering. Nonetheless, he is in for the adventure of his life. First, he meets Karola Faber, the German wife of a U.S. G.I. who has found life in the States not all it's cracked up to be: she has left her husband and makes her living through prostitution. Peter and Karola visit the local German emigré community's Oktoberfest, and win the festival's King and Queen crown. Their prize is a cow, which accompanies them on their further journeys in New York City.
A small carnival is in dire financial straits. Their show is attracting fewer and fewer paying customers, as their "attractions" are ageing, out of shape and beset by internal feuds and bickering. One day a beautiful young woman shows up and suggests a way of attracting customers: put on a strip show, with her as the main attraction. Her act attracts customers in droves, but it turns out that the girl has her own agenda, and it isn't to help out the carnival.
Geierwally, who earned her name through a bitter fight with a bird of prey, refuses to marry Vinzenz, the heir apparent assigned to her by her father, and lives a secluded life in a mountain hut. Her love for Bärenjosef seems hopeless, especially since he knows nothing of Wally's love. She becomes increasingly isolated, becomes the laughing stock of the village, and misunderstandings arise because Bärenjosef's sister Afra is mistakenly regarded as his “girlfriend.” Wally then decides that she would rather have Josef dead than not at all...
With a heavily pregnant empress at the altar, a completely new history begins: the Bishop of Vienna declares the pregnant Sissi and Emperor Franz Joseph to be husband or wife. This is followed by the painless birth of the heir to the throne, his abduction to Hungary and the revelation of an astonishingly momentous love affair between the empress and Ludwig II.
An old lady named Jane, believes she is Tarzan's widow. She wears a leopard skin bathing suit under her black coat when she visits the zoo to talk to the animals, and keeps African mementos in her home. She also has pictures of famous screen incarnations of Tarzan, including Johnny Weissmuller, Lex Barker, etc. up on the walls of her flat, and longs to 'return' to Africa and visit 'Tarzan's tomb'.
The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.
Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1. The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him. Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background characters. The scope of action also changed.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings six months previously, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.