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Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974
Dame Joan Sutherland considered Norma, the lead character of Bellini’s bel canto melodrama, one of her favourite roles. She performed the brilliant and challenging score for Australian audiences for the first time in this 1978 production at the Sydney Opera House, reuniting with her regular collaborator Margreta Elkins, who plays Adalgisa, as well as Ronald Stevens and Clifford Grant. Set in Ancient Gaul, the opera tells the story of a clash between the Druids and the occupying Romans. In the middle of it all is Norma, the high priestess caught in a dangerous love triangle. This luscious production is directed by Italian director Sandro Sequi and conducted by Richard Bonynge.
Spirited American heiress Isabel Archer travels to Europe, where she navigates a complex web of relationships, ultimately committing to a fateful marriage to the charming but cruel Gilbert Osmond. This leads to profound disappointment and a tragic realization of her own choices.
Australian Opera Chorus and Elizabethan Sydney Orchestra production of Donizetti's opera
It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singing and acting of Elvira--banish carping about other aspects of this memorable night at the opera. Netrebko is fragile from the start, her facial expressions and hand movements immediately conveying the girl's vulnerability. She has a mad scene in each act; the first when she realizes her fiancé has disappeared with another woman, the third, in the final act, a brief relapse when her returned fiancé is taken by the army to be executed. But it's in the second act that the real fireworks occur, with a Mad Scene that rivals Donizetti's Lucia for bel canto primacy. Here, Elvira is first heard off-stage, after the chorus has informed us that she's deranged. She enters wearing her wedding gown and begins Qui la voce in a voice as frail as her psyche.
A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.
La Cittadella is a 1964 Italian miniseries based on A. J. Cronin's 1937 novel, The Citadel, and produced by Radiotelevisione Italiana. It was directed by Anton Giulio Majano and stars Alberto Lupo as Dr. Manson and Anna Maria Guarnieri as his wife, Christine. Other television versions include an American, another Italian, and two British adaptations.
Young Prince Vincenzo Gonzaga, rejects his first wife Margherita Farnese, obtaining the annulment of the union and, at the same time, raising strong doubts about her virginity
Italian televison adaptation of Fyodor Dostoevsky's novel of the same name. Although it is to all intents and purposes a television miniseries, the rhythm of the acting is typically theatrical: the long dialogues, the acting style and the actorly interpretation make it a true example of episodic television theatre.