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Filmmaker Mitra Farahani portrays love and sex in today’s Iran. One part fiction and one part documentary, the film was shot secretly and is banned in its native country.
Bahman Mohassess was a celebrated artist at the time of the Shah. Trained in Italy, he created sculptures and paintings in his homeland. But audiences often took offence at the pronounced phalli on his mostly naked bronze figures and his work was regularly censored. All traces of him were lost after the revolution. It was said he destroyed his remaining paintings and disappeared.
"We should start with a correspondence, maybe we will not correspond to one another. Ebrahim can send me a letter this Friday, and I'll answer him next Friday. So, see you Friday, Robinson!" And so, Jean-Luc Godard stages himself in his daily thought, wisely desperate, and sends images and words from Switzerland to the other side of the Channel. In his mansion in Sussex, Ebrahim Golestan tries to decode these UFO-messages and skilfully seeks to bring them back to the appearance of reason. And so on, until the day a veil falls over the two Gods on the run. Does the existence of poets still have any meaning in these times of distress?
Tehran, October, 2000. One year ago, Morvarid lived as a man. Since her operation, she lives her femininity shielded from glances, between the four walls of her apartment. For the first time, she is covered with a chador and gets ready to go out as a woman: we are to follow her metamorphosis. How, in a country as Iran, can one have the will to be a woman?
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
The life and career of an actor, artist, and icon. His own journey through his own camera.