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Myshkin, an epileptic man, eturns from medical treatment abroad and finds himself in love with Nastasia. There are twists and turns as Myshkin gets engaged to another woman, only to have an epileptic seizure. He and Nastasia are betrothed but on the wedding day, she returns to her rich pursuer Pawan, who kills her. As both men wait together for the police, Myshkin descends into insanity.
A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.
A very clever parrot lives in a Hindu palace, surrounded by many beautiful girls, but the parrot escapes, and is trapped far from the palace. One day, when its new owner is sleeping, the bird convinces a young boy to open the cage door. In return, it shows the boy a secret passage to get into the palace.
Based on the text written by Vijaydan Detha and Kamal Kothari, the film is set in the arid desert of Rajasthan, a setting similar to Duvidha, where two rival clans face off one another in the desert.
The precautions to be taken during and after an air-raid by the people, are shown in this film.
A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.
A newly-married merchant’s son is sent away for business. A ghost, who laid eyes on the bride, falls madly in love with her and takes the form of the husband and begins living with her.
An impressionistic biographical look at Siddheshwari Devi (1908–1977), the classical Indian singer whose voice was appreciated by the maharajas and public alike.
A literary film based on a play in three acts, One Day Before the Rainy Season (Ashad Ka Ek Din) portrays the love of Mallika and Kalidasa, the renowned Sanskrit poet and dramatist. Vilom, a friend to both and interested in Mallika, is a passive onlooker for the first two acts. Kalidasa leaves his verdant mountain valley home for the splendour of far off Ujjain, where he wins fame. The action of the film is rooted in the village to which Kalidasa returns years later and finds Mallika married to Vilom and the mother of his child. Mallika sacrificed her love so that the poet could pursue his muse.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.