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Parallel feelings of pride and rebellion. Attempting to resuscitate political icons by remaking themwith my own psychic-punk aesthetic to regain personal ownership.
DECOY sees bridges and walls as binary opposites and relates them to impostors in this world. Humans strive for accuracy. You don’t always get what you wish for. 16mm black & white w/ sound, 10 min 37 sec, 2018.
"...flattened images are dictated by actions happening outside of the frame. Choreography of bouncy balls and water fountains are involved." (Rick Bahto)
Parental ageing and an existential wave collide in fun and surprising ways in the suburbs of LA. Dislocated B-roll, meandering voicemails, and readings from the 1984 children’s sci-fi movie The Neverending Story combine to situate our collective grief in the hazy mundanities of everyday life.
"A helter skelter is an attraction that consists of a spiral slide built around a tower. Like this movie, an attempt to exorcise an unrequited desire, which advances too quickly or stops completely. Disorienting but exciting." –Alee Peoples
“I use Super 8 and 16mm film as a vehicle for loose storytelling with history and humor. Simple props and gestures are part of a playful aesthetic. Glimpses into the culture of a place are given while playing with truth and representation. Non-Stop Beautiful Ladies is a Los Angeles street film starring empty signs, radio from passing cars, and human sign spinners, some with a pulse and some without.”—Alee Peoples
A companion piece to Boys of Summer (also super 8, 2009)
A pop music essay that is both sweet and serious about stereotypical male and juvenile fun. Tongue-in-cheek objectifying is mixed with cryptic symbols of longing and desire along with a brief history of a fraternal order.
A documentary of what happened to the remains of Providence, Rhode Island’s champion of free religion and a club based on the actual folklore of the root.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."