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100 miles north, a bit east and up, is Pinchcliffe, the home of bicycle repairman Reodor Felgen and his two assistants, Solan Gundersen and Ludvig. Sponsored by oil sheik Ben Redic Fy Fazan, they build the car "Il Tempo Gigante" to race against Reodor's former assistant Rudolf Blodstrupmoen, who has stolen one of Reodor's inventions to become a world racing champion.
Ivo Caprinos animated adaption of the classical Norwegian folktale
The little tooth trolls Karius and Baktus tries to persuade Jens not to brush his teeth, and their picking holes in his teeth can go on as planned. If the mother's plea to Jens is winning, the happy days of white bread and syrup is over.
The film deals with the friends and minstrels Tim and Teddy, and the monkey who steals Teddy’s mandolin and heads up the mountain to catch him.
An exuberant story about Askeladden, the hero of Norwegian traditional fairy tales, outwitting the good-natured troll.
Meet the cheeky, but kind-hearted, Little Frick and his fiddle as he works for three years for three shillings and compassionately gives them away to every vagabond he meets. But the reward is immense.
This is the tale of the tin soldier with one leg who won the heart of a ballerina, but was swallowed by a fish before he found his way back to her. The film is a delightful presentation of Hans Christian Andersen's story, employing puppets and clever camerawork.
Oslo family the Monsens recieve uncle Pavel's house on the south coast of Norway after his passing. Mr. Monsen is also under the assumption that he has won 5000NOK in the lottery, though things are not as they seem. On an old record, the little girls hear uncle Pavel tell the story of a lost treasure buried somewhere in the house, but to find its location, one must solve 4 riddles.
Not until four years after The Fox's Widow was the third fairytale movie, The Seventh Master of the House, released – Caprino's personal favourite. This is a wonderful fairytale and a sharp satire on everyday bureaucracy. Caprino knew all about that – in fact, you might say that the movie was an indirect stab at the bureaucrats who had considered all his funding applications.