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Part I of the series "Glenn Gould Plays Bach" is devoted to Bach's "Art of Fugue." Gould's performance is followed by a lively repartee with Monsaingeon, in which the pianist provides dazzling insights illustrated by music examples. He explains, for example, why he plays some pieces extremely slowly, and bemoans the "musicological overkill" of scholars who insist that Bach's keyboard music should only be played on a harpsichord.
A unique film portrait of the famous Italian pianist. Maurizio Pollini felt himself that the time had come to submit to the probing of the camera, an exercise made all the more necessary because of his usual avoidance of the public eye.
Part III in the series "Glenn Gould Plays Bach" spotlights Gould recording Bach's "Goldberg Variations" in a sound studio. In a brief introduction, he reminisces about his first recording of the pieces and explains why he wanted to record them again now, a quarter of a century later. It was to be his last recording of the "Goldberg Variations" and perhaps the last time he played the work: Glenn Gould died the year after the recording was made.
This biography of Sviatoslav Richter, the great Russian pianist who dedicated his life to music and had little regard for fame in the West, shines a light on his formative years and places him against the setting of a chaotic USSR culture.
In Part II of the series "Glenn Gould Plays Bach", Gould concentrates on the fugal form in Bach's works, showing us how Bach uses keys like stops on an organ, and how they give him ideas and colours. He performs various fugues from the Well-Tempered Clavier and reveals why he feels the "Art of Fugue" is the work that summed up Bach's life.
"Les Pianos De La Nuit" is a collection of piano recitals performed live in the heart of Provence during the International Piano Festival of La Roque D'Antheron in July and August 2002. Conceived specifically for DVD release, these virtuoso performances by contemporary artists can claim authoritative status as classic 21st-century archival footage. R. Strauss Ständchen, Op. 17 No. 2 Serenade Till Eulenspiegel, Op. 28 Godowsky Studies after Chopin’s Studies No. 47 Badinage No. 28 Study in Octaves No. 22 Study for the Left Hand Debussy L’Isle joyeuse Hummel Rondo in E-flat major, Op. 11 Liszt Totentanz, S 525 Ligeti L’Escalier du diable (No. 13 from: Études pour piano II) Saint-Saëns Study in the Form of a Waltz, Op. 52 No. 6 Tchaikovsky Pas de deux from “The Sleeping Beauty” Adagio Variation I : Désiré Variation II : Aurore Coda Alkan “20 Years” from the Grand Sonata, Op. 33 “The Four Ages” Delibes Pizzicato Polka from “Sylvia”
The Indomitable Bow is a unique portrait of Mstislav Rostropovich, a formidable personality as well as a complex, deeply political musician constantly engaged in a whirlwind of activities. Including unreleased documents, archive films, interviews and concert performances from this key figure of the 20th century, The Indomitable Bow is a remarkable testimony of the life and work of the legendary Slava
Meet conductor and cellist Klaus Mäkelä through the eyes of Bruno Monsaingeon. The legendary director discovered the young maestro's genius for the first time in 2021 at a concert by the Orchester de Paris, when he was just 25 years old. Through his traveling and musical collaborations, the director reveals himself as a conductor who is to leave his mark on the 21st century