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Recording of a tense discussion between three people around the question of "revolution". Steve Ben Israel (member of the Living Theatre), James Cellan (BBC director) and David Autie (sculptor) confront each other in a debate that provoked a strong political and radical awareness among the students of the Royal College of Art in London. The screening of the document led to the return to school of five students who had been unjustly expelled by the school administration.
Madeleine, a young French Canadian woman, goes to London to study English literature. She meets a young actor, Peter, who has just graduated from school and is unemployed.
The story of two characters that we hear but never see. The film begins with a young student filming the London Markets in 1969. 25 years later, she invites a man to watch the film about his youth. The couple converse over the footage from that time, a budding love develops as the film ends.
What place do breasts occupy in the identity of women? Intersecting several voices--adolescent girls, mothers, lesbians, dancers, bodybuilders...--this film draws a mosaic portrait of the breast, from childhood to maturity, from seduction to illness, from motherhood to surgery, from the tyranny of the image to self-acceptance. An impressionist documentary, funny and touching, against the backdrop of the beach and holidays.
A woman's marriage is in crisis as a result of her difficult and complex relationship with her mother.
Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.
a portrait of the changing social and political context of the nuclear family in the 1970s, focusing on four families of varying circumstances: a traditional nuclear family with a special needs child, a separated family, a single-parent family and a family in a communal living environment.
Feature-length documentary directed by Mireille Danserau in 1973: in-depth interviews with four young women who explain their complex relationships with men, motherhood and their own femininity, sometimes radically detaching themselves from the standardized and traditional conception of the couple.
The folks who populate the rundown hotel in this story have all come there from someplace which offered a modicum of hope. Gloria, who runs the place, earns most of her money as a stripper. She lives there with her two daughters and a son with an untreated brain tumor. Charlie, who is forever in and out of jail, is Gloria's sometime lover. A recent check-in is there hoping she can work up the courage to commit suicide, since her rich doctor husband ran off and left her. Another resident is Tim, who keeps company with his dog and his booze in equal measure. A schoolteacher comes by from time to time, hoping to do these people some good, but in choosing this lot to work with, she proves to be just as much of a loser as the rest of them.
A filmmaker explores the difficulty of being a woman, provoked by the porn films found among the belongings her father left behind. ‘Is pornography love?’ she asks herself. Watching these 8mm porn films becomes her way of creating a connection with ‘the FATHER,’ as she passes progressively from her memories of her father to her own gaze. A film that considers the male gaze.