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During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.
A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).
T-Man Brass Bancroft goes undercover in a prison which has a secret counterfeit operation set up in the print shop.
Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.
A hard-living dockworker finds religion until his brother is murdered.
With the cyclotram, an atomic-powered rock-boring vehicle, Dr. Jerimiah Morley leads an expedition into a subterranean world.
A brash night club singer becomes a cop to impress a woman.
An ambitious attorney (Edward Norris) tries to prove a man (John Litel) who killed to protect his wife's (Margaret Lindsay) honor was justified.
A treasury agent on the trail of counterfeit money confides to fellow ocean liner passenger, Charlie Chan, that there have been two attempts on his life.
In San Francisco's Chinatown, Charlie helps two different people search for their missing relatives and uncovers a murder for insurance scheme.