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A short hybrid documentary about Dujo, a young student who must quickly find a new place to live after being abruptly evicted by his landlord, all while trying to continue his studies in the big city.
An inquiry into the international sense of democracy. Through a set of highly stylized "tablo" frames, their spontaneous manners tell a short love story.
A documentary about Vesna, a single mother who sustains her five children through the small business of making traditional homemade bread.
Ambiental documentary short, takes a closer, deeper look at the wild parties on the central beach in Split, Croatia, that started to take place every night after the clubs close. The filming took place over several nights, all summed up to six minutes to see glimpses of a giant party of young tourists with no control or authority (the film took place before the police started to make the parties a bit more orderly). Feelings of repetition until decline comes to the forefront as every single party, like a wave on the beach, happens in the same fashion, over and over again while the 'wave' becomes quieter with each stroke.
A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.
Documentary about the life and work of Ivan Martinac (1938-2005), avant-garde & experimentalist filmmaker from Split, Croatia.
On June 3, 1968, student protests began in the Socialist Federal Republic of Yugoslavia, the first major conflict with the then communist establishment. In Belgrade, Sarajevo, Zagreb and Ljubljana, students demanded more socialism, the fight against corruption and a better state.
Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
Pirika travels to Berlin to visit her daughter Dobrila and her grandchildren, whom she's never seen. Dobrila, a lesbian, avoids her mother, however, because she doesn't want to tell her the full truth about her children. Everything is resolved at a German film retrospective, where Pirika plays the role of her life. A docudrama about the autumn of life of one of the leading protagonists of Zilnik's film Early Works.
Against the darkening backdrop of New Delhi's apocalyptic air and escalating violence, two brothers devote their lives to protecting one casualty of the turbulent times: the bird known as the black kite.