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A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.
Takashi is country hipster, work avoiding, not-so-smart life expert in vague rural-urban area in the north from Tokyo. He lives together with his grandmother and laughs at his friend who goes to real work - shoveling cow manure. On one day, a young woman arrives to the area and claims to be Takashi's half-sister from this' father's escapade. And she is the kind you can't get easily rid off...
Hirobumi Watanabe's student film at the Japanese Institute of the Moving Image.
Born out of every artist’s creative crisis, the search for the next topic, Hirobumi WATANABE presents his latest film, dealing with the question of what his film should be about. The director stages himself as he idles away his days, delivering endless monologs during car rides, sleeping on the floor at his grandma’s house, or philosophizing over video games and the FIFA World Cup.
In a farming village north of Tokyo, a man lives with his aging grandmother and works day after day at a cow shed that looks like a relic from another era. Their routine repeats in tune with nature, portrayed tranquilly and persistently in black and white without words.
In a suburb north of Tokyo that seems to be secluded from the world’s madness and malice, Yusuke Mizuhara works as a lifeguard at a swimming pool. With no family, friends or love, his life is lonely and monotonous. One day, he goes to another pool as a replacement guard with his unpopular co-worker Koji Shirasaki…
The latest unique human drama from Hirobumi and Yuji Watanabe portrays, in black and white and without words, a man who lives with his aging grandmother and works silently in a pigpen.
What happens when Watanabe meets horror? The eccentric director of instant cult movie "Techno Brothers" plays a director hired by a production company to make a documentary. His task is to spend a week in a haunted house. The approach is comical and offbeat, but as the story progresses, the laughter gives way to fear. Will we end up more scared or amused?
A normal day for little Riko at home and at school. A vivid snapshot pervaded by the calm flow of reality that creates an authentic sense of wonder.
The band "Techno Brothers" played by Watanabe, brother Watanabe Yuji and pal Kurosaki Takanori, go to find fame and fortune in Tôkyô. It’s more accurate, though, to call it their manager’s plan. Named Himuro, she channels the look and attitude of famed Vogue editor Anna Wintour, from her bobbed hair and ever-present sunglasses to her commanding air and iron will.