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As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
A U.S. military surveillance balloon floats on a tether high above Kabul, Afghanistan. Its capacities are both highly classified and deeply mysterious.
Provocative in its cinematic simplicity, THE VIEWING BOOTH recounts an encounter between a filmmaker and a viewer, exploring the way meaning is attributed to non-fiction images in today's day and age.
As her storied and rebellious Congressman husband enters his final years, civil rights activist Helen H. McCloskey reflects on their unusual decades-long relationship, the pressure of living in the public eye, and what the two of them had to leave behind to make it work.
James Forman, a 31-year-old public defender and son of a civil rights leader, provides representation for black youth in Washington, D.C., who can't afford their own attorneys in this riveting documentary that goes inside the criminal justice system. Director Kirsten Johnson's award-winning film also sheds light on the difficulties that ex-offenders face when trying to break the cycle of crime and imprisonment.
In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.
A filmmaker ventures into the archives of her photographer mother to construct a personal story of love, loss, and finding someone in the work they leave behind.
A "fictional documentary" concerning the volatile topic of female excision, Bintou In Paris tells the story of a young Malinese mother faced with the critical decision of whether or not to excise her baby daughter.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.