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A film about circus veterans. The main characters of the film are Barnabas, a power juggler, Jonas Ramanauskas, a folk artist of the LSSR, and Jadvyga Stankutė-Ramanauskienė, an acrobat. Both are long retired, but even in their cosy homes, their memories of the circus do not leave them, so the film recalls the interesting and sad history of Lithuanian circus.
Harlequin wanders through the night streets of old Vilnius, searching for friendship and human warmth.
Based on the novel of the same name by Raimondas Kašauskas, about a strange man who is restless, who wants to live differently from everyone else, to play life.
About the folklore ensemble of elderly village singers.
This film details the dismantling of the old railway Siaurukas in Lithuania and the construction of its new modern replacement. The old railway and the new railway become the symbol of the clash between the archaic rural Lithuania and Soviet industrialization. The film was often considered as an expression of the archetypes of Lithuanian character.
When Henrikas Šablevičius started filming Lithuanian “oddballs” – a professor, a fortune teller, racers, and many others who fell short of the concept of the “model citizen” – he invented a bizarre new genre of documentary biopic. Characteristic of these portraits is a sense of mocking irony directed not at their subjects (on the contrary, the filmmaker’s affection for them is palpable) but at the “Soviet hero” genre. The subject of this film is Apolinaras, a kindhearted policeman who even outwardly looks very unlike the ideological “guardian of morals.”.
Lithuanian documentary about bicycles.
A film about Stasys Brundza, the winner of the Tour d'Europe, who managed to break into the wide world behind the Iron Curtain through sport.
A film about Jonas Kaušpadas, a teacher at the Eight-year-old school of the Viru district of Estonia, who came to Estonia to get acquainted with Estonian culture, bring Lithuanian and Estonian people closer together.
A surrealist etude that doesn’t have a clear narrative, and is courageous in its form, unusual in the context of Lithuanian cinema at the time.