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Ana is a telenovela actress but because of financial troubles resorts to producing a prostitution documentary under false pretences.
Revolves around a love triangle that later evolves into a love square involving three Cubans and a Soviet soldier. Set in a fictitious rural village near a Soviet military base in central Cuba, their amorous adventures, or misadventures, unravel against the backdrop of the 1962 Cuban missile crisis.
Lorenzo, a Cuban policeman specializing in grave robberies is sent to Havana to investigate the death of a Havana-born German national, Hermann (or German in Spanish) found in a famous grave. Lorenzo recounts his findings to the police chief (Major Anancio) as he investigates Dora, an elevator operator and Herrmann's landlady, Aguila and Silvia (who work for Cultural Affairs), Chrissy (a British-born Socialist Internationalist lover), Xiomara (Hermann's mother and a local drag queen as well), a dwarf, and a false Guatemalan who had raped Chrissy during her internationalist "love/sex campaign" in Guatemala. These are the main, but not the only characters, one must absolutely follow to make sense of the plot.
The first years of the Cuban Revolution characterized by social transformations and class struggles.
It reflects the transformation which a woman undergoes in the crisis of personal fulfillment that her husband is going through. In the middle of a complex process, marked by contradictions and failures, she will grow and express her independence as a human being. She will be another woman, determined to continue the difficult and unknown daily struggle.
Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.
A superstitious middle-aged woman falls in love with a taxi driver, while trying to learn the identity of the unseen person tossing eggs at her.
Like her mother before her, beautiful Sissy wants to be a dancer at the Tropicana, Havana's famous cabaret. But her father, Candido, forbids her to do so because of his ongoing grudge against Armando, his former rival and choreographer at the nightclub.
When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?