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Eugen is released from prison at 28 years old, he has no one except his father Helmar who abandoned him when he was born, and friends Stina and Riko from the orphanage. Eugen attempts to begin a new life and contacts his father, but he finds himself returning to an endless cycle of violence.
Mother Karin and daughter Mari are facing the demise of Mamma, Karin's mother and Mari's grandmother. They both release their pain on each other, but in unconditional love, everything is allowed.
Until the restoration of independence of Estonia in 1991, a collective farm operated in the village of Pähkla in Saaremaa, which employed almost all the villagers. Lembri Uudu also worked there as a tractor driver. After the collapse of the collective farm, most of the villagers lost their jobs and Uudu died. Sometimes, however, it happens that a person's real life force comes out only after his death.
An absurdist court drama where a mother and a father, ex-spouses, fight over the custody of their 5-year old son. However, the whole process takes place in the middle of a grain field instead of the classic court room. On that field the courtroom has no boundaries much like the mother and father whose actual goal is to exact vengeance on each other with no regard to the means used, forgetting their child entirely.
A woman’s voice can silence injustice, lower weapons and stop trains. In this opera-western, the question is whether Ada can hit the right note to save her brother's and her own life from the vindictive Sheriff.
A man walks through a forest and sits in a house. Around him, the spirits of the past roam.
Jaanus spends the last day with his wife Karin at home. In the midst of common eiders, seagulls, fishing nets and summer breeze, they send Karin's soul to the eternity.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.