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Occupied Croatia, 1991. An army major reluctantly agress to take care of a cow that's been left for dead in a recently abanndoned building, however, taking care of the creature reveals deeper truths about the human nature to him.
A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.
Sasa is an unsuccessful writer who works as a restaurant critic. His life starts to change when he meets and falls in love with Ines who works in a private sports center. However, things get complicated when he writes a bad review for the restaurant owned by a well-connected man. To get his life in order, Sasa has to face up to all of his character flaws.
We encounter the controversial Croatian film director Lordan Zafranovic in voluntary exile in Prague. The film follows his rise from a talented outsider to the celebrated Yugoslav director of the acclaimed war film, 'An Occupation in 26 Pictures'. His life story is an unconventional depiction of a rise and fall that reveals compromises made in order to survive artistically during communism, as well as the missed opportunities and miscalculations that led to his inability to adapt in later years. Is the charismatic Zafranovic a national traitor or a victim of historical circumstances in which the only thing he wanted to do, in his own words, was to be himself and make films?
The show's plot revolves around humorous situations involving three generations of the Fazlinovic family living in a Sarajevo apartment. The oldest of the family is Izet. Izet has a son Faruk, who in turn has a son Damir.
Moved by his love for his girlfriend Senka, Senad leaves his job at the hospital and comes to the besieged city. Avoiding the armed groups roaming the city, he finally finds Senka at her brother Zan's home. Zan happens to be Senad's best friend and is working in the theater as a clown in the production, "Flying Tours of Duty." His girlfriend Senka is working in a hospital but has no time for love. Dejected Senad returns to his flat, only to find it has been demolished by the war. Zan invites Senad to live together with him, his wife and Senka. The rest of the film recounts the tragic events that befall the group and how they face up to them.
Ivan is a young painter employed by a well-known city company. Aware the embezzlement that his boss commits through his paintings, Ivan decides to take him with the old man to the city inspector to whom this last case is revealed. At the celebration of the company that was declared the company of the year, Jadranko Granula, Ivan's boss decides to promote Ivana to the ranks of his close associates. However, the process of initiation catches Ivan unprepared, when he realizes that he killed the inspector with by which he prepared a conspiracy.
A 1988 Serbo-Croatian language drama film directed by Milan Bilbija, starring Senad Bašić, Snježana Martinović and Stojan ‘Stole’ Aranđelović.
Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.
Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.