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In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down
Filmmaker Todd Verow revisits his own youth in this film. The film's main character is Joe, who, like the director, grew up in Bangor in Maine. Joe, an 18 year old high school senior who longs to move away from poor white trash roots and this town, and dreams of attending art school, lives with his single mother and older sister Theresa on a notorious council estate called "Capehart Projects". Molested at the age of ten, Joe nevertheless decides to keep the incident to himself. He befriends an elderly disabled artist named Victor who hires him as houseboy/model. Joe moves in with Victor in his loft above the local opera house, hoping to escape Bangor with his help. He also works part time at a local market along with his sister, who wants to get out of town as much as he does. For most of high school, Joe has also had a crush on his best friend, Andrew, who plays on the high school football team.
Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.
Two men embark on an unconventional romance in Todd Verow's sexy Parisian-set drama. Claude finds a young man passed out in the street and, taking pity on him, decides to take him to his apartment to safely sleep. Awakening the next morning, the sexy stranger soon makes a play for his forty-something host, kick-starting a passionate romance. But will the chance meeting develop into more than just lust or will the pair's differences drive them apart? An accomplished, serious and very modern gay romance .
A first person narrative of the exploits of a gay serial killer in deeply disturbing, controversial drama about violence, sexuality, and the imagination. Dennis, the main character, whose lead we follow on this path between what is real and what we can only hope is surreal. His friends attempt to determine if he's truly a psychopath.
Inspired by true events, Todd Verow’s Tumbledown is an explosive cocktail- an emotional rollercoaster ride through the dark sides of sexuality. A complicated love triangle develops after hunky Jay meets bartender Nick and invites him to spend the weekend with him and his partner in their country cabin. Soon, copious amounts of sex, drugs and alcohol lead to a dark obsession and even darker complications. Always bold and never less than riveting, Tumbledown is sure to leave you breathless.
In this anthology of shorts, the phrase "Gay Agenda" is reclaimed from the religious right and transformed into a celebration of gay culture. Sit back and enjoy "Built for Endurance", "Exit", "Bro", "Family History" and "Best Wishes."
A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.
As an older gay man lies dying in a hospital room, he tries to remember all of his past lovers. Over the years, he had filmed many of his lovers as a way to capture them, but now the films are disintegrating – fading away just like his memories. Shot entirely on super8 film, this touching new film incorporates archival footage shot by Charles Lum in the 1970s and '80s (including footage from his time as an exchange student in Norway), archival footage shot by Todd Verow in the 1980s and '90s, as well as new footage by Verow. With a script based on Lum's stories and cruising diaries, and stories written by Verow, Memorabilia is a beautiful visual homage to love, as well as a testament to its creators' close friendship and mutual understanding in how to tell a story. Charles Lum never saw this film come to life, but he would no doubt have been proud of the result.
Three Parisian women discover that their lives are delicately interconnected to a mysterious fourth woman, who remains tantalizingly out of reach.