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Based on age-old Buddhist folklore connected with Mauryan Emperor Ashoka's son Kunal.
Chintamani (Tamil: சிந்தாமணி) is a 1937 Tamil-language film directed by Y. V. Rao starring M. K. Thyagaraja Bhagavathar, Serugulathur Sama and Aswathamma.[2] It was the first Tamil film to run for a year in a single theatre. Chintamani was based on the legendary story of a Sanskrit poet and devotee of Lord Krishna named Bilwamangal (M. K. Thyragaraja Bhagavathar). Bilwamangal, a resident of Varanasi, was a Sanskrit scholar, who gets infatuated towards a courtesan called Chintamani (Aswathamma), a woman of ill-fame. As a result, he deserts his wife. However, Chintamani is an ardent devotee of Lord Krishna (Serugalathur Sama) and spends most of her time singing bhajans in praise of Lord Krishna. His attraction towards Chintamani eventually draws Bilwamangal closer towards Lord Krishna and transforms his life forever. Bilwangal, himself, becomes a devotee of Lord Krishna and pens a monumental Sanskrit work Sri Krishna Karnamritam.
King Rajendra Varman and Queen Mrinalini are reigning the Vyjayanti empire. Mahendra Varman is the rival and the neighbouring king. Kannika is the minister’s daughter, who is in love with King Rajendra Varman and aims to attain him at any cost. This convoluted tale of palace intrigue, suspicion, unreciprocated love, seduction, villainy and piety was interspersed with excellent music.
The film is based on a story set in the Chola Empire in year 1083 AD. The titular character in the story is Ambikapathy (M K. Thyagaraja Bhagavathar), the son of the Tamil poet Kambar (Serugulathur Sama) who is in love with the Chola princess and daughter of Kulothunga Chola, Amaravati (played by M. R. Santhanalakshmi). The king objects to their love and insists on testing Ambikapathy's literary mettle before judging his worth. The test given to Ambikapathi is that he should write and sing a hundred poems in the field of Puram (dealing with war and politics). The poems should not have any reference to the field of Aram (dealing of love and romance). Ambikapathi begins the test in the King's court with a Kadavul Vaazhthu (invocation to God). Amaravathi who is keeping the count, mistakes the invocation as a poem and counts it as poem number one.
Pavalakkodi is a 1934 Tamil language film starring M. K. Thyagaraja Bhagavathar and directed by K. Subramanyam. It was the first film for both of them. The film's music was composed by Papanasam Sivan. Pavalakkodi tells the mythical love story of Arjuna (Thyagaraja Bhagavathar) and Pavalakkodi (S. D. Subbulakshmi), the princess of Coral Island.
Fight everyone and trust no one: it's the code of survival practiced by martial-arts master Casey Bowman after his life of domestic bliss is shattered by a savage act of violence. Vowing revenge, the fearless American stealthily tracks the killer from Osaka to Bangkok to Rangoon with the help of a wise and crafty sensei. His only clues: a series of victims whose necks bear the distinctive mark of strangulation by barbed wire. Fighting to avenge as well as to survive, Casey must sharpen his razor-like responses and take his battle skills to the next level, even using deep meditation to fake his own death. His target: the sinister drug lord Goro, who is flooding the streets with deadly meth cooked at his remote jungle factory. To prepare for his ultimate confrontation, Casey must finally become an invisible warrior worthy of the name Ninja. But just when his prey is cornered, an unexpected twist shows Casey that his battle is only beginning: he truly can trust no one.
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
The Parrs' baby Jack-Jack is thought to be normal, not having any super-powers like his parents or siblings. But when an outsider is hired to watch him, Jack-Jack shows his true potential.
Parthiban, a cafe owner, lives with his family in Himachal Pradesh. Things take an absurd turn for him when he gets in the way of a drug cartel.
It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets the most fearsome adversary of all: his father-in-law.