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What can you do when you can’t make a film? Make another film. Hanging out with the camera shooting whatever comes to mind is the escape route for a couple of filmmakers who are waiting for their respective projects to gather funding to be carried out. There is nothing planned, just improvisation and the joy of making a film with total freedom, and only one rule: to respect the chronological order of shooting in the editing.
super 8mm, b&w, sound
Super-8mm film by Yonay Boix & Ariadna Onofri.
Super 8 / 18fps / silent / in-camera edited Kodak Tri-X
The fifth cartridge exposed by Yonay Boix’s super 8 camera offers a continuation of the author’s filmed journals that he carefully composes frame by frame, exploring the potential of celluloid and in-camera editing. This time, the leitmotiv is either a spot of light or a dark spot that he generates using a pierced piece of paper and a glass filter onto which he has previously painted a black dot, respectively. These procedures trace back to the mechanisms of early cameras, reminding us that what we see is not the world but the glimpse of it that a contraption was able to catch.
Super 8 / 18fps / silent / in-camera edited Kodak Vision3 50D
Super 8 / 18fps / silent / in-camera edited Kodak Vision3 200T
Super 8 / 18fps / silent / in-camera edited Kodak Vision3 200T
super 8mm, b&w, silent
Barcelona, Christmas 2019 with epilogue in Berlin. Silent. Kodak 500T