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Ancient Apocalypse investigates six catastrophic stories of how the world’s greatest civilisations collapsed. Every continent has its ruins — places where only stones tell the tale of a fallen people. They might lay buried under the Earth, in the shade of jungle canopy or amidst the teeming industry of a modern city. However, they all raise the same questions: How could something so great all but vanish? Why do civilisations collapse? In this 6-part series, we uncover the scientific reasons why some of history’s most fascinating peoples have disappeared in the face of the natural world’s might. We investigate the end of The Akkadian Empire, The Lost City of Helike, Sodom and Gomorrha, The mystery of the Sea Peoples, The Maya Civilisation and Doggerland. Some of the world’s greatest natural disasters reduced these societies to nothing.
Four mighty civilisations - Rome, Egypt, Japan's Samurai and the Aztecs. Their legends remain - now priceless artefacts reveal what led them to fall into the echoes of history.
After the death of his wife, Kenzaburō receives an unexpected letter from beyond the grave. His late wife asks him to travel to Lake Windermere in England with their son to scatter her ashes. Plagued by sweet and painful memories of his wife, Kenzaburō travels to England from Tokyo to fulfill her final wish, but the father and son's fraught relationship threatens to upend their journey.
Andrew Graham-Dixon takes a break from his art critic day job to immerse himself in the art, rituals and practices of the Japanese warrior cult. Will he achieve his dream to be like a samurai?
Andrew Graham-Dixon tells the story of how three British artists responded to the cataclysm of World War One.
Elizabeth Windsor tells the story of the girl who was never supposed to be Queen. Born the first daughter of 'the spare', the Duke of York, Princess Elizabeth's life was destined to be nothing more than a bit part in the privileged shadows of the British Royal family.
Andrew Graham-Dixon considers the work of Dante Gabriel Rossetti, the painter and poet who reinvented the Victorian ideal of female beauty... and who dug up his wife's coffin to retrieve poems he had buried with her. (2003)
Christianity has produced some of the greatest works of art of all time, in which believers and non-believers alike can explore the great themes of life and death. It is the language in which Leonardo and Michelangelo, Dali and Rembrandt speak to us all about love and suffering, loss and hope. To mark the year 2000, these four programmes, written and presented by Neil MacGregor, Director of the National Gallery, London, consider how artists over two millennia have tackled the extraordinarily difficult task of representing Christ. Without contemporary accounts of Jesus' appearance, artists through the ages have been free to create many images of him - images that sometimes reflect the spiritual world of the artist and other times the desires of the patron or the needs of the spectator. Seeing Salvation is a four part series surveying the historical representations of Jesus Christ in Western European art and sculpture over the centuries since Roman Times.
Andrew Graham-Dixon explores the ancient Christian practice of preserving holy relics and the largely forgotten art form that went with it, the reliquary. Fragments of bone or fabric placed inside a bejewelled shrine, a sculpted golden head or even a life-sized silver hand were, and still are, objects of religious devotion believed to have the power to work miracles. The documentary features interviews with art historian Sister Wendy Beckett and Neil MacGregor, director of the British Museum.
There is a popular theory that it takes at least 10,000 hours of focused practice for a human to become expert in any field. In Japan, there are craftspeople who go far beyond this to reach a special kind of mastery. These people are called Takumi and they devote 60,000 hours to their craft. That's 8 hours a day, 240 days a year, for over 30 years. It's an almost superhuman level of dedication to a life of repetition and no shortcuts. This film asks the question: Will human craft disappear as artificial intelligence reaches beyond our limits?