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Two nudes, a man and a woman, interact with each other and a large balloon in a white living room. Performed by Steve Paxton and Becky Arnold. Camerawork by Phill Niblock.
Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
A blond woman (Susan Marshall) in white pants and shirt interacts with a moving round object and the camera. Camerawork by Phill Niblock.
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
"Carriage Discreteness" is a 1966 performance piece by Yvonne Rainer, presented as part of the "9 Evenings: Theatre and Engineering" event.
Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers.
A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.
First performed in 1966, Trio A consists of an approximately five-minute sequence of discrete movements that, with the exception of walking, are never repeated. Although it appears effortless, the dance is painstaking to learn in its precise articulation of the body.
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.