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Jessica, Sabrina and Daiane have dreams, just like all young people of any social class or place in the world. They live in a low-income neighborhood in the periphery of Rio de Janeiro and find in prostitution a way to survive and satisfy their consumer desires. However, even faced with the trials of absolute uncertainty and lack of hope, Jessica, Sabrina and Daiane insist on loving, having fun and planning their future.
“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.
The film follows four digital influencers: Jout Jout, Bispo Arnaldo, Rita Von Hunty and Spartakus Santiago.
Inspired by the moving book “Só as Mães São Felizes”, by Lucinha Araújo, Cazuza's mother, the film covers a little more than 10 years of the singer’s crazy and brief life – from the beginning of his career in the Circo Voador venue, in 1981, to the huge success and the apotheosis of his shows with the Barão Vermelho band, his solo career, his relations with his parents, friends, lovers and passions, and the courage he had to face his final years, with HIV, until his death, in 1990.
Filmmaker Sandra Werneck interviews remarkable women such as Marieta Severo, Zezé Motta, Margareth Dalcolmo, Conceição Evaristo, Denise Werneck, and Iole de Freitas for a journey of shared experiences that challenge stereotypes of female aging. From work to love life, from health to sexuality, these women share their stories, reflections, and life lessons, offering inspiration and raising questions about what truly matters when one reaches maturity, while also highlighting the hardships and misfortunes of aging.
Fifteen years after their split, a man and woman reconnect during a chance encounter and reconsider their new loves and lives.
The transvestites of the Rio nights in testimony about their professional difficulties, moralism, repression and stardom
Luiza is an architect who just got out of a ruinous relationship. Gabriel is a biologist and he has finished a long marriage with divorce. When they both meet, chances that they can do well together are not that big. But they will try to, even if their friends Barata (a convict bachelor totally skeptical when it comes to love) and Marta (a mathematic analyst who wishes that human relations were just as exact as numbers are) think otherwise.
Mixing fiction and documentary, DAMAS DA NOITE tells the story of Júlia, a street girl who wanders around the city fighting for survival. She sells chewing gum, commits small thefts, until, due to lack of option, she begins to prostitute herself.
There is a silent and not officially declared war. A minefield where there is a battle of unequal forces. A combat without causes, disputes or conquests, where the combatants do not even distinguish their enemies.