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Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
Alan Lomax and his associates, beginning in the late 1950s undertook a monumental study of the relationship between style in song and dance cross-culturally. It began with Cantometrics which developed a common language description for the many variables in performance style in the diverse cultures of the world and measured how those variables clustered geographically and in relation to means of subsistence and aspects of social organization. Choreometrics continued this investigation into dance and movement. A continuation of Alan Lomax & Forrestine Paulay's Choreometrics project, this film examines the use of the foot in dance cross culturally. Though this film comes from later in the project, below is an interesting article written by Lomax about the methodology he was developing for this sort of film.
An exploration of the musical and social origins of the blues, shot on location in Mississippi in 1978 by Alan Lomax, John Bishop, and Worth Long in association with the Mississippi Authority for Educational Television and broadcast on PBS in 1980. This re-release in 2009 includes two hours of additional music.
From 1978 to 1985 Alan Lomax traveled the American South and Southwest with a television crew to document regional folklore with deep historical roots. From the resulting 400 hours of footage came the five-program series American Patchwork, which aired on PBS in 1991.
The bayous of Louisiana have combined French, German, West Indian, native American and hillbilly ingredients into a unique cultural gumbo. Cajun Country investigates Cajun's roots in Western France, visits their cattle drives, horse races, and barroom dances in rural Louisiana, and listens to the salty tales and raunchy songs of its black, white, and Indian music-makers. Performancers include Canray Fontenot, Bois Sec Ardoin, Michael Doucet, Octa Clark, Dewey Balfa, and Dennis McGee.
Padstow, a fishing village on the coast of Cornwall, celebrates May Day with an ancient custom: two osses (hobby-horses) dance through the town streets accompanied by drums and accordions. All Padstownians participate in the event, which has now become a tourist attraction drawing over tens of thousands of annual visitors. Folklorists Alan Lomax and Peter Kennedy and filmmaker George Pickow collected footage at the festival in 1951, producing a pioneering work in the use of sound, low-light photography, and conversational presentation of narrative. A favorite of Margaret Mead, who used it in her classes, the film circulated widely and continues to have influence today, especially in the neo-Pagan community.
An examination of the talents and wisdom of elderly musicians, singers, and story-tellers, who perform not for fame or fortune but to preserve and share their culture. Stories told by Janie Hunter (80 years old) of Johns Island, S.C.; ballads sung by ex-coal miner and union organizer Nimrod Workman (91), of Chatteroy, W.V.; fiddle tunes and tales of moonshining and feuds from Tommy Jarrell (83) of Toast, N.C.; and footage from the Alabama Sacred Harp Convention in Fyffe, Alabama, in which people of all ages gather to sing old-time shape-note hymnody.
A celebration of New Orleans' musical culture — from its piano bars and barrelhouses to brass bands and street parades, with their colorful, riotous, and symbolic second lines, in which the community plays an essential part in the performance. Shot in the thick of funeral parades and nightclubs, with performances by the Preservation Hall Jazz Band, the Dirty Dozen Brass Band, and Danny Barker, Feet Don't Fail Me Now tells the story of New Orleans' utterly unique and valuable jazz heritage.
Introduces the work of Alan Lomax and his colleagues in developing choreometrics, a cross-cultural method of studying the relationship of dance style to social structure. Shows how the group, including Forrestine Paulay and Irmgard Bartenieff, analyzed dance films from all over the world and established a connection between patterns of movement and patterns of culture.
The Blues (2003) is a seven-part documentary series produced by Martin Scorsese that explores the history and influence of blues music. Each episode, directed by a different filmmaker, traces a unique aspect of the genre’s evolution—from its African roots to its global impact. Originally airing on PBS, the series includes Scorsese’s Feel Like Going Home, Wim Wenders’ The Soul of a Man, Richard Pearce’s The Road to Memphis, Charles Burnett’s Warming by the Devil’s Fire, Marc Levin’s Godfathers and Sons, Mike Figgis’ Red, White and Blues, and Clint Eastwood’s Piano Blues.