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Desperate for a baby and burdened by family and societal expectations, a woman fakes a pregnancy and gets tangled in a crime.
A retired professor with a knack for snooping gets a new lease on life when a private investigator recruits him to go undercover and crack a case.
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.
Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
Zoila and Marta have become friends in the residence where they live because they have the same goal, to escape quickly from the place. In their day to day life, they plan original escape strategies as they need to return home urgently, one to feed her husband and the other to take care of her mother.
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.