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An opera troupe in a small town decides to perform Mozart's Don Giovanni. The view behind the scenes uncovers the world of opera without the glitter. A tale of love and disappointment, about music and passionate love-making and about people that live their lives in spite of the opera.
A crime comedy directed by Jirí Menzel, based on a story by Edgar Wallace.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
Middle-aged Antonin and his friends, the major, now retired, and the canon, are in the river, swimming and philosophizing. Then it starts to rain. It just seems to be that sort of summer. Antonin runs the swimming bath with his portly wife Katherine... A man appears with his horse-drawn caravan. He lays a striped pole across the river and walks over. With a handstand and a magic trick, Ernie the Conjuror invites everyone to that evening's performance... Ernie is a tightrope walker of only modest skill, but with a slim and beautiful assistant, Anna. Antonin speaks to her. The two spend the night in the change room by the river, Antonin massaging her feet all night long. Katherine decides to move into the caravan with Ernie. But now the major and even the canon sense Anna's attractiveness...
The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.
The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.
Poetic, affectionate, lyrical, and elegy for actor Rudolf Hrusinsky composed of a wordless montage of slowed film footage spanning Hrusinsky’s entire career that embodies the human experience: toil, rest, education, romantic love, rejection, desire, aging, frailty. A recurring interstitial black screen with the words “ten minutes” becomes a constant reinforcement of transience, a career and life distilled to the precious few minutes of the film, a reflection of its brevity.
Set in a small Ukrainian village during the outbreak of war with Germany in 1941 Private Chonkin, not overly endowed with intelligence, is left to guard a downed military aircraft. The authorities appear to have forgotten about him so this leaves him free to work his chams on the village postmistress, Njura, untill the local militia are tipped off.
Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.
An episodic film about the inhabitants of Kersko, their hardships and their joys, most prominently hunting. A lyrical and humorous adaptation of writings by Bohumil Hrabal.