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This short film is a parody of Todd Haynes’ 2015 film “Carol,” that presents a hilarious and necessary class analysis, with better sex.
A manatee enjoys exploring NYC on the subway system, until the state decides which of the two approved options it must take.
In this short, humorous animation, a working class, rural lesbian couple happily plan their upcoming date night, in an ode to the joys of queers living with the land. Sung to the tune of 2008’s “(You Can Have) Whatever You Like” by T.I.
A queer re-telling of the famous creation myth, enacted by a lusty lezzie couple. With cameo appearance by Morgan Freeman, sent by God to save them from their decisions (as usual).
"The learning process is something you can incite, literally incite, like a riot" - Audre Lorde. In this action-packed animation thriller, CampbellX and So Mayer find and replace film posters promoting movies by white straight dudes about white straight dudes. The (finger puppet) protagonists gleefully complete their quest in the tube, and on the streets of London, to an original song by the QWOC punk band, Big Joanie.
A journey of 8 meters becomes an epic odyssey, thanks to the inaccessibility of the New York City subway system.
In 1987, a young working-class Butch dyke makes friends, has sex, plays softball, and learns about life in a gay resort town (Provincetown, MA), with the AIDS crisis always around.
This short is a playful and sexy romp (no dialogue) through the bars of Philadelphia's "gayborhood" to explore if the bars are wheelchair accessible, and if they have gender-neutral bathrooms. That sounds technical, (and the film does include accurate information about accessibility standards), but it stars Faggotgirl, a butch dyke super-hero action figure. This short is affirming of transgender/GNC people and people with diverse mobility methods.
A gender nonconforming person is policed by Minnie Mouse en route to the restroom.
A working class, gender non-conforming woman in the 1960s leaves a legacy for her butch dyke grand niece. This is a humanizing narrative made 100% by one queer older woman, which highlights intersectional identities that complicate discourses of sex, gender, and class.