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Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. Interviews with people in the street disclose their fears, aspirations and political alienation.
Young and recently separated couple meet in a modern house and start discussing their past relationship.
After the collapse of their relationships with other people, Maria and Paulo embark in an intense relationship in order to shield themselves from loneliness.
This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.
Shortly after World War II, the city of Rio de Janeiro experiments a period of great cultural, political and economic effervescence, when all the dreams – or nearly all – seem possible. In this exciting scenery of transformation, Paulo discovers love, friendship and sex through his childhood and adolescence in the 1950’s and 1960’s.
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
The documentary depicts the everyday of illiterate rural workers in Northeast Brazil, living under extreme misery. Although incapable of writing, they are aware of their condition and qualified to proposing solutions they hope for to their problems.
On the eve of her wedding, Glorinha finds herself looking back at her life and confronting the injustices, sexual perversions, adultery and crimes that are hidden under the happy bourgeoise facade.