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Professional climber Emily Harrington has summited Everest, 8000-meter peaks, and dominated the competition circuit but, her greatest challenge extends beyond the physical. To cement her legacy in the male dominated world of elite rock climbing, she sets her sights on a career-defining 24-hour ascent of Yosemite's El Capitan. Caught between the pursuit of personal ambition and the ticking biological clock of life, a near-fatal fall forces Emily to reckon with what she's willing to risk. Equal parts gripping survival story and intimate portrait, Girl Climber isn't just about breaking records, it's about breaking barriers. Amongst Yosemite's legendary boy's club, Emily isn't just proving she's the best *Girl Climber-- she's proving she is one of the best. Period.
An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.
Michôd and Peedom's hour-long documentary recounts the tale of Andrew McAuley, an Australian adventurer who, in 2006, launched a quest to become the first person to paddle a kayak across the treacherous Tasman Sea, one of the loneliest and toughest stretches of water in the world.
A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.
Told through a unique collection of iconic archival footage brought to life in stunning colour for the very first time, Australia in Colour tells the story of how Australia came to be what it is today. Narrated by Hugo Weaving, the series is a reflection on our nation’s character, its attitudes, its politics and its struggle to value its Indigenous and multicultural past. Australia in Colour gives us a chance to look at Australia’s history from a fresh perspective. This four-part series curates classic historical footage, as well as home movies and never-before-seen archival material to chart how Australia has developed as a nation. From the oldest surviving footage captured in Australia – in 1896 in Sydney’s Prince Alfred Park – to the beginning of colour television in the mid-1970s, each sequence has been lovingly restored and colourised with historical accuracy. The effect is remarkable, bringing to light history that is both shared and deeply personal.
In a remote part of New Zealand, lies a cold, dark and mysterious cave system with the potential to be the deepest dived cave in the world. It’s here that explorer and hero of the Thai cave rescue Richard “Harry” Harris is searching for a sense of self. There’s no question that this is the highest stakes dive he has ever attempted. Underground, underwater, with a finite amount of gas to breathe, it’s a dangerous game to play. So what drives Harry to continue in his pursuit when he knows the cost - not just to himself, but to those he loves - and will he make it back to them?
A cinematic and musical odyssey that explores the remarkable relationship between humans and rivers. Throughout history, rivers have shaped our landscapes and our journeys; flowed through our cultures and dreams. RIVER takes its audience on a journey through space and time; spanning six continents, and drawing on extraordinary contemporary cinematography, including satellite filming, the film shows rivers on scales and from perspectives never seen before. Its union of image, music and sparse, the poetic script will create a film that is both dream-like and powerful, honouring the wildness of rivers but also recognizes their vulnerability.
In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...
Follows four individuals as they travel beyond their familiar worlds. These contrasting travels became the basis for Refik Anadol's digital artwork. The film explores profound emotional shifts and the creative process, blending art, science, and human stories into a compelling narrative.
A vibrant exploration of Australian fashion, The Way We Wore uncovers the cultural and historical significance of fashion, revealing how the clothes we wear can give intimate and surprising insights into how the country has evolved.