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Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
Story of A Red Sea Crossing. Shot in the bars and seedy hotels of East LA, this film is about the inner life of a prostitute imprisoned for killing her pimp.
Hitparkut (Dissolution) combines an almost surreal fairy-tale energy with brutal black and white realism to explore the condition of violence which permeates contemporary Israeli society. Shot is Yafo (the predominantly Arab area of Tel Aviv), the movie follows the moral collapse and first glimmer of redemption, of a young, morose Israeli Jew, played by Israeli actor Didi Fire
Firdaus is a Blackjack dealer in a Las Vegas landscape juxtaposed between glittering casino lights and the deteriorating desert oasis. Negotiating a missing husband and neighboring domestic violence, Firdaus’ world unfolds as a fragmented interplay between repetition and repressed anger.
This film was inspired by a real event—a young US Marine, recently back from the Gulf War, was found digging a grave for his murdered wife in the middle of the California Mojave.
A young, orthodox Jewish woman is alienated from her Jerusalem community and drawn into the world of spirit.
Nina's first collaboration with her sister Tinka Menkes, the film documents, in a strange and beautiful way, a serious illness suffered by Tinka, and also expresses how art is a transformative response to life.
The series follows the staff of "Trance," an Israeli airline, offering a glimpse into the high-flying lives of pilots, flight attendants, security personnel, and managers. From the busy offices to the intensity of international flights and their personal lives on the ground, the story explores the complex web of relationships among the crew. Amidst the clouds and between destinations, the characters navigate love stories, friendships, betrayals, and rivalries, all while facing the obstacles on their journey toward happiness and self-fulfillment.
When a loathsome, wealthy landowner is brutally murdered, his sons are drawn into a crisis of faith, guilt and moral responsibility. Will children forever pay for the sins of their fathers? Can we break free from the cycle of violence handed down from one generation to the next? And, above all, after so much violence, is redemption still possible? Can reconciliation still be hoped for?
Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.